2.7
(2 Reviews)
2018
3
ZEROO, founded in 2017, is a Japanese watch brand developed by ZEROO TIME, near Tokyo; it speaks to enthusiasts of highly visual mechanical watches who want access to tourbillons, double tourbillons, skeleton watches or mechanical classics at prices far more contained than those of traditional Swiss watchmaking.
ZEROO TIME presents its project around a strong idea: rebuilding the watch “from scratch”. The brand considers that modern watchmaking has become standardized, that the most desirable technologies are often reserved for very wealthy clients, and that there is room for more open, more accessible and more graphic watches. ZEROO’s message therefore rests on a spectacular democratization of codes usually associated with high watchmaking.
The company was established in December 2017 in the suburbs of Tokyo. It began in 2018 with ZEROO ART, a fashion watch with no hands, before turning toward more ambitious mechanical propositions from 2020 onward, notably the Classic Moon Phase series and the first skeleton tourbillon series. Development often goes through crowdfunding launches, then through the official boutique and specialist points of sale in Japan or internationally. This trajectory gives ZEROO the image of a young, experimental and highly product-driven brand rather than a heritage-based house.
SYUU’s role is central in the identity of the brand. ZEROO presents him as designer and director, responsible for drawings, sketches, supervision of components and assembly with workshops in Japan and abroad. His approach comes as much from industrial design as from watchmaking, which explains tonneau cases, side openings, highly openworked dials and volumes that immediately seek visual impact. ZEROO is first and foremost a mechanical design brand, where the complication also becomes an object of staging.
The T Series is ZEROO’s best-known territory. It gathers fully or largely skeletonized tourbillon watches, often offered in tonneau, octagonal or futuristic cases, with an assumed desire to make the movement visible from several angles. Recent official prices show several models around three hundred thirty thousand to five hundred ninety-four thousand Japanese yen depending on versions, placing the brand in a rare category: that of the spectacular tourbillon at relatively accessible pricing. This family is the heart of ZEROO’s promise: offering the emotion of a grand complication without the usual pricing codes of Swiss luxury.
The T4 illustrates the debates around ZEROO very well. Specialist analyses acknowledge that the Richard Mille inspiration is obvious, while distinguishing the watch from a counterfeit: it is an original proposition, but clearly situated within an already highly identifiable aesthetic. Its appeal comes from its open architecture, sapphire flanks, tonneau format and access to a true functional tourbillon. The limit comes from this stylistic proximity to very famous icons, which will attract some buyers and trouble others.
ZEROO is not limited to the simple tourbillon. The DT Series pushes the logic further with the double tourbillon, while the M Series explores more accessible mechanical or automatic watches, often skeletonized, housed in tonneau or more classical cases. The Classic line plays a different role: it returns toward a dress watch, more discreet, sometimes with moon phase, small seconds, day-night indicator or micro-rotor depending on generations. This organization allows ZEROO to speak both to lovers of mechanical spectacle and to wearers who want a more daily Japanese watch.
The M5 shows a more reasonable side of the brand. With a thin case of 9.4 millimeters, a stated bezel diameter of 36 millimeters, a Miyota 9015 automatic movement and final assembly in Tokyo, it moves away from the grand tourbillon spectacle to offer a watch that can be worn every day. The C4 and C5 move in the same direction, but with a more classical aesthetic and increased sophistication through the micro-rotor and poetic calendar complications. These models may convince those who like ZEROO but do not necessarily want to wear a highly demonstrative watch.
ZEROO’s positioning rests on a permanent tension between visual ambition and highly aggressive pricing. The brand highlights design and engineering from Tokyo, assembly in its Japanese atelier for certain models, component manufacturing by partners, and supervision by SYUU. Depending on references, movements can be Japanese, Chinese or developed with external suppliers; public documents do not always make it possible to identify precisely the full origin of each calibre. The buyer must therefore distinguish the promise of Japanese design, final assembly, movement origin and real finishing level.
This caution is essential, because the word tourbillon can create very high expectations. A ZEROO tourbillon should not be directly compared with a Swiss or German tourbillon costing several tens of thousands of euros. It offers another experience: that of a visible, accessible and spectacular complication, sometimes highly successful emotionally, but necessarily built with compromises in movement, finishing, service and long-term value. The right buying angle is to consider ZEROO as a mechanical pleasure watch, not as a traditional high-watchmaking piece.
International distribution has developed through the official boutique, launch platforms, selected Japanese retailers and European resellers. This makes the brand more visible, but requires checking the exact channel, warranty, parts availability, timelines, return conditions and service capacity in the buyer’s country. Proprietary straps, complex cases and specific calibres can make servicing more difficult when buying far from the official network. Satisfaction depends as much on the chosen model as on the clarity of the after-sales service available around it.
ZEROO is aimed at enthusiasts drawn to highly visual Japanese mechanical watches that make the tourbillon, double tourbillon, skeleton watch or micro-rotor far more accessible than elsewhere. The brand is identifiable through its spectacular design, the central role given to SYUU, its fast launches, Japanese assembly on certain references and its desire to challenge the traditional hierarchy of watchmaking luxury. It will suit curious buyers, passionate about visible mechanics and ready to accept a degree of compromise in order to access a rare complication. It will suit less those seeking perfectly traditional movement provenance, total discretion or established heritage value.
Before purchasing, compare visual impact, comfort, reliability and service with real owner feedback through Dialicious customer reviews.
(Updated September 2026)
2.7
2 Reviews
3.0
Emotion
3.0
Design
3.0
Accuracy
2.3
Comfort
2.0
Robustness
3.0
Value for money
Secondary
Significance in a collection
Main
Rarely
Frequency to be worn
Often
Pleasure
Main motivation for buying
Investment
Zeroo Time profile is based on 2 owner reviews
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